In Proteus Stephen thinks of a recent drowning in
Dublin Bay and associates it with his inability to save his
dying mother: "A drowning man. His human eyes scream to me out
of horror of his death. I... With him together down... I could
not save her. Waters: bitter death: lost." Later in the same
chapter he anticipates the recovery of the drowned man's body
and imagines "the stench of his green grave." In both passages
he is recalling a complex of associations that crowded into
his mind in Telemachus, linking the green seawater
with the death of his mother, and linking his fear of drowning
with his fear of being swallowed up in guilt.
Looking out over Dublin Bay from the top of the Sandycove
tower in the first chapter, Stephen makes a mental connection
to the bowl that sat beside his mother's sickbed: "The
ring of bay and skyline held a dull green mass of liquid. A
bowl of white china had
stood beside her deathbed holding the green sluggish bile
which she had torn up from her rotting liver by fits of loud
groaning vomiting." He thinks of the connection
again after Mulligan goes down to the living quarters, and he
sees a cloud "shadowing the bay in deeper green. It
lay behind him, a bowl of bitter waters."
Mulligan has probably helped to shape Stephen's associative
connections, with his comment about "
The snotgreen sea,"
and his suggestion that it should be called "
a great
sweet mother," or "
Our mighty mother!"
Yeats has reinforced the bitterness of the green bile, by
singing of “
love’s bitter mystery”—a
song that
makes Stephen think
of his mother. The memory of the "
square ditch" at Clongowes,
with its unhealthy green "scum," has no doubt played its part as
well.