Jack Power's comment
about Paddy Dignam sparks an uncomfortable exchange:
— He had a
sudden death, poor fellow, he said.
— The best death, Mr Bloom
said.
Their wide open eyes looked at
him.
— No suffering, he said. A
moment and all is over. Like dying in sleep.
No-one spoke.
From a purely experiential perspective it is hard to argue with
Bloom's assessment of Dignam's passing: no miserable debility,
no protracted agony, no desperate wrestling with anxiety and
fear, just a quick cardiac crisis and then blessed release. But
from the Catholic perspective these are not really blessings.
Suffering is the deserved and beneficial condition of creatures
born in a state of mortal sin. It spurs them to repent their
transgressions, make confession to a priest, and receive
absolution before approaching the judgment seat of the Almighty.
Sudden death robs sinners of all opportunity for such atonement,
very likely condemning them to an eternity of fiery torment.
Astonished stares and disapproving silence greet Bloom's
characterization of this nightmare scenario as "
The best
death."
Moments later a child's coffin is spotted making its way to the
cemetery. Martin Cunningham remarks on the sad sight, prompting
Bloom to rue the loss of his infant son. But Simon Dedalus
retreats into Christian consolation, uttering a familiar
religious bromide: "Poor little thing... It's well out of it."
The regrettable deaths of children prompt discussion of an even
more regrettable kind of death:
— But the worst of
all, Mr Power said, is the man who takes his own life.
Martin Cunningham drew out his
watch briskly, coughed and put it back.
— The greatest disgrace to
have in the family, Mr Power added.
— Temporary insanity, of
course, Martin Cunningham said decisively. We must take a
charitable view of it.
— They say a man who does
it is a coward, Mr Dedalus said.
— It is not for us to
judge, Martin Cunningham said.
Cunningham humanely tries to squelch his friends' judgmental
comments because he knows that Bloom's father committed suicide.
Bloom does not respond to the slurs but he does reflect sadly on
the harshness of Catholic teaching: "
They have no mercy on
that here or infanticide. Refuse christian burial. They used
to drive a stake of wood through his heart in the grave. As
if it wasn't broken already."
Christian condemnations of suicide trace back to Augustine,
whose early 5th century work
The City of God contested
the Roman view that self-slaughter can be a noble response to
adversity, arguing that, far from showing greatness of spirit,
suicide represents a refusal to endure suffering and a violation
of the fifth commandment, "Thou shalt not kill." The Catholic
church has always endorsed this view, defining it until very
recently (1983) as a mortal sin that would result in eternal
damnation. Its teaching is based not on the obvious harm that
suicide does to loved ones, but on the offense done to God.
Thomas Aquinas, whose
Summa Theologiae is often quoted
on the subject, relies on the judgment of Augustine and adds
that "whoever takes his own life, sins against God, even as he
who kills another's slave, sins against that slave's master...
For it belongs to God alone to pronounce sentence of death and
life."
The punishment that Bloom notes ("Refuse christian burial") was
widespread, longstanding, and viciously retributive. Gifford
aptly summarizes the history: "Church councils from the fifth
century onward decreed that a suicide could not be buried with
Church rites. Medieval law throughout Europe decreed
confiscation of the suicide's property, and burial customs
traditionally involved indignities to the corpse." Suicides were
buried in unconsecrated ground, typically at crossroads on a
city's periphery. Interment usually happened at night, and a
stake was often driven through the corpse's heart to keep the
suicide's ghost from
returning to haunt the living.
These practices persisted into the 19th century. Gifford notes
that "English law (which technically included Ireland) provided
for burial in consecrated ground in 1823 and permitted religious
services in 1882." It is hard to say exactly how long the old
customs may have persisted in Ireland, but it was long enough to
fire the imagination of
Bram Stoker, who was born in 1847
in Clontarf, not far from one such burial site in Ballybough.
Catholic positions on "
infanticide" and abortion––a
distinction with no real difference in the church's
eyes––deplore the taking of life. But as with suicide the
reasons for the ban are absolutist rather than humanistic. When
very young children like Bloom's Rudy die of
natural
causes, church doctrine is content to see them consigned to
eternal perdition, on the grounds that unbaptised people cannot
enter heaven. For this reason unbaptised infants were sometimes
buried in the same crossroads plots reserved for suicides,
murderers, and other monstrous malefactors. Subjecting tiny
babies to such indignities has troubled many Catholics,
inspiring some ingenious theological contortions. In Dante's
Divine
Comedy unbaptised infants are consigned to Hell but
placed in a special circle, Limbo, where the only punishment is
being deprived of God's presence––still a very real punishment,
since enjoying the sight of God is ultimately the only purpose
and value of human existence.
On all these end-of-life issues, Catholic doctrine is based
entirely on what church authorities understand to be the will
of God, with the result that it often displays "no mercy"
toward, and little interest in, mere human feelings. In
contrast, Bloom's opinions seem to arise entirely from
sympathetic responses to human suffering: physical debility,
loss of young children, misery profound enough to make killing
oneself seem attractive. His freethinking is most poignant
when the inhumanity of doctrinal thinking is most overt: "They
used to drive a stake of wood through his heart in the grave.
As if it wasn't broken already."