When a hallucinated Josie Breen threatens to tell Bloom's
wife that she has found him in Monto ("I know somebody won't
like that. O just wait till I see Molly!"), he defends himself
by saying that Molly too would like to walk by the
whorehouses: "(Looks behind.) She often said she'd like
to visit. Slumming. The exotic, you see. Negro servants too in
livery if she had money. Othello black brute." As the
accompanying racist fantasy of being serviced by a black stud
makes clear, gazing on fallen women can be seen as an act of
classist appropriation. For several decades people in London
and New York City had been "slumming"––touring ghettoes to see
poverty and depravity firsthand––although most of them
probably imagined their motives to be noble. It seems possible
that by 1904 Dublin was joining the trend.
Slum tourism, also
called poverty tourism or ghetto tourism, has attracted millions
of paying travelers in the 21st century, often hyping its
responsible practices and its contributions to the local economy
in places like the South African townships and Rio's favelas.
But according to Fabian Frenzel
et al in an article
titled "Slum Tourism: State of the Art,"
Tourism Review
International 18 (2015): 237-52, the phenomenon began
almost 150 years ago when upper-class Londoners began visiting
the slums of their city. The first documented uses of the word "
slumming"
come from that time. The
OED records an appearance in
1884: "I am not one of those who have taken to 'slumming' as an
amusement." And another in 1894: "Slumming had not become the
fashion at that time of day." The spread of this fashionable
amusement to New York City has been well documented.
The urge to see "how the other half lives" (a phrase popularized
by
Jacob
Riis in 1890) is an understandable human curiosity,
particularly in cities with such huge disparities of wealth as
existed in Joyce's Dublin, and perhaps the understanding gained
on slum tours produces a net increase in empathy. It would seem
that the earliest ones were conceived in philanthropic terms,
following hard upon the visits of reformers like the founder of
the Salvation Army,
William Booth. But voyeuristic
pleasure at viewing squalor up close, while having a nice home
to go back to, must always have played a part in people's
attraction to the slums. Joyce recognizes such motives in Molly,
or perhaps in Bloom's fantasies of what she likes.
Thanks to Vincent Van Wyk for calling my attention to slum
tourism.